Showing posts with label John Carter of Mars. Show all posts
Showing posts with label John Carter of Mars. Show all posts
Wednesday, April 18, 2018
Checking out THUNDAR...No, Not THUNDARR, but THUNDAR.
I recently purchased a book that some claim was an inspiration for the THUNDARR THE BARBARIAN cartoon. I wanted to judge for myself if this was true and to read the story.
I've only read the first 30 pages, but I'll say that I think claims of inspiration are much overstated. The book is clearly a Burroughs pastiche that falls somewhere between the Thongor novels and the Gor books. That's not high praise. I'm not saying the book is terrible, but the storyline, world, and characters wouldn't lead me to create the post-apocalyptic world of THUNDARR and the "Thundar" name here seems more a riff on Lin Carter's Thongor.
It's an interesting look at other world planetary romance. Though better entries in that genre include THE DARK WORLD by Henry Kuttner, GUARDIANS OF THE FLAME by Joel Rosenberg, THE ARCHITECT OF SLEEP by Steve Boyett, and QUAG KEEP by Andre Norton, not to mention the entire John Carter cycle by Edgar Rice Burroughs.
I'll slog through the rest of the book to see if I can pull any good gaming material from it. I think there might be one or two good ideas here and there. If there are, I will share them.
Thursday, August 06, 2015
#RPGaDay2015: [Day 1] Exciting Forthcoming Game
Last year, Dave Chapman aka +Autocratik created a blog prompt called #RPGaDAY wherein Dave did all of us amateur bloggers a favor by giving us 31 ideas for blog posts. The intention is that bloggers would write 31 posts over the course of a month and it was very successful last year. I was one of the participants, but I did not manage to post all 31 days. In fact, I think I only managed half a dozen or so. Even with that disappointment, I'm trying again this year even though I'm starting 5 days after the fact.
Let's move past the prologue and get to today's#RPGaDAY2015 answer:
Since I'm already a couple of days behind, and I'll be trying to catch up over the next few days, I'll keep this short.
The forthcoming game I am most looking forward to is...
I've been a big fan of Modiphius, the publisher of the upcoming Edgar Rice Burroughs' John Carter role playing game, since I backed their Achtung! Cthulhu role playing game on Kickstarter a couple of years ago. That role playing game setting was compatible with both the Savage Worlds and Call of Cthulhu role playing games at publication and it seemed like a nice counterpart to Weird War II. The new John Carter game, which should be out by Christmas of this year, uses Modiphius Entertainment's own game system entitled the 2d20 LITE system. It's a streamlined version of the system they had designed for their new Mutant Chronicles role playing game. The design lead on the 2d20 system was Jay Little, who is one of my favorite game designers, and the mechanics are sound.
To quote Modiphius' Press Release:
John Carter —The Roleplaying Game: Due for release: Christmas 2015
Explore the wonders of Barsoom from the vast deserts to the ancient cities. Discover the forgotten secrets of a world that was old when life first spawned in the oceans of Earth. Play as pilots, warriors, scientists, or one of the terrifying green Tharks. Create you own Barsoom adventures or take on the great journeys as John Carter himself along side Dejah Thoris, Kantos Kan, Xodar, Tars Tarkas, Thuvia of Ptarth, Carthoris of Helium or any of the other major heroes and heroines of Barsoom.
The John Carter roleplaying game uses 2d20 LITE—a streamlined version of the 2d20 system featured in the Mutant Chronicles, INFINITY and Conan roleplaying games. Designed for fast flowing action accentuating the exuberant adventures of the original books, 2d20 LITE let’s you dive into the game immediately with a sleek, pulse-pounding system. Major industry artists will help bring Barsoom to life.
Edgar Rice Burroughs and Michael Moorcock were the two figures who most shaped my early fiction tastes and I am more than excited to see a Planetary Romance game based on Burroughs' influential series make it to print.
I interviewed Chris Birch of Modiphius last year on Geekrati about Achtung! Cthulhu and Mutant Chronicles last year and it looks like the company continues to grow.
Thursday, February 23, 2012
Why "The Brave" Trailer is Superior to "Wrath of the Titans" Trailer
Before I post the two trailers in question and critique the "Titans" trailer, I just want to state for the record that I am jazzed to see both of these movies. They both look like fun and appeal to my inner child.
Now take a minute to watch the trailer for "The Brave." It's only a couple of minutes long.
The trailer is essentially 2 minutes, or so, taken straight out of the film. Two minutes that encapsulate a story on their own, that hint at the stakes surrounding the situation, and that entertain. I now want to see the movie now more than ever, and have the sense that the film will make me weep as its twists are revealed.
Now take a minute to watch the trailer for "Wrath of the Titans."
From the opening BWAAAAAM -- straight out of "Inception" -- there is cut scene after cut scene of ever escalating action that reveals that our hero will have to battle many mythical beasts over the course of the film. Never mind that a releasing of the Titans, and their war against humanity, would make for an exciting series of films let alone a single picture. A fact that makes it appear as if this film will be trying to do too much in too little time, and at the expense of creating an actual narrative. The action scenes are compelling, and heighten my desire to see the spectacle of the film, but they do little to invest me emotionally in the film.
Both trailers make me want to watch the films, but one demonstrates that the film I will be watching will make me feel something emotionally while the other bludgeons me with spectacle.
I can't help but feel that the reliance on a spectacle oriented trailer, rather than an emotional one, for the upcoming "John Carter" film is a bad move. There is action in the John Carter series of tales, to be sure, but there is also a great romance. It is a mythic romance and the trailers have done little to convey that fact. I would even go so far as to say that the Super Bowl trailer made me want to watch the film less.
Compare the "John Carter: Virginia" clip to the Super Bowl ad. The Virginia clip makes me want to watch the movie, the Super Bowl ad makes me believe that Disney doesn't really believe in the story or that the characters are worth highlighting. Thankfully, the Virginia clip exists and lets me know that there will be character development -- even if it is apocryphal -- and not just spectacle.
I'll take Virginia over spectacle any day, and I'll take a short continual glimpse into the world over clips featuring the soundtrack of "Inception."
Now take a minute to watch the trailer for "The Brave." It's only a couple of minutes long.
The trailer is essentially 2 minutes, or so, taken straight out of the film. Two minutes that encapsulate a story on their own, that hint at the stakes surrounding the situation, and that entertain. I now want to see the movie now more than ever, and have the sense that the film will make me weep as its twists are revealed.
Now take a minute to watch the trailer for "Wrath of the Titans."
From the opening BWAAAAAM -- straight out of "Inception" -- there is cut scene after cut scene of ever escalating action that reveals that our hero will have to battle many mythical beasts over the course of the film. Never mind that a releasing of the Titans, and their war against humanity, would make for an exciting series of films let alone a single picture. A fact that makes it appear as if this film will be trying to do too much in too little time, and at the expense of creating an actual narrative. The action scenes are compelling, and heighten my desire to see the spectacle of the film, but they do little to invest me emotionally in the film.
Both trailers make me want to watch the films, but one demonstrates that the film I will be watching will make me feel something emotionally while the other bludgeons me with spectacle.
I can't help but feel that the reliance on a spectacle oriented trailer, rather than an emotional one, for the upcoming "John Carter" film is a bad move. There is action in the John Carter series of tales, to be sure, but there is also a great romance. It is a mythic romance and the trailers have done little to convey that fact. I would even go so far as to say that the Super Bowl trailer made me want to watch the film less.
Compare the "John Carter: Virginia" clip to the Super Bowl ad. The Virginia clip makes me want to watch the movie, the Super Bowl ad makes me believe that Disney doesn't really believe in the story or that the characters are worth highlighting. Thankfully, the Virginia clip exists and lets me know that there will be character development -- even if it is apocryphal -- and not just spectacle.
I'll take Virginia over spectacle any day, and I'll take a short continual glimpse into the world over clips featuring the soundtrack of "Inception."
Thursday, July 14, 2011
Disney's "John Carter" Teaser Trailer Captures the Wonder of the Imagination
I have mentioned in the past that it was Michael Moorcock who instilled in me a love of fantasy, and that it was Edgar Rice Burroughs who instilled in me an everlasting and insatiable love of reading. Those who have seen my overflowing book shelves, and my large storage unit filled with books and games, might find the fact that I once claimed that English was my least favorite subject due to all the reading a little incredible.
...seriously, who has a storage unit filled with books and games?...
Of all of Burroughs tales, it was his wonderful John Carter Planetary Romances that sparked my imagination to wonder at distant shores. It was these books that gave me an insatiable hunger to experience that kind of escape and profound sense of greatness. It wasn't that Burroughs wordsmithery was profoundly great and beautiful. It was his ability to convey just enough information for your own mind to create that sense of wonder that kept me coming back.
The John Carter stories -- with their stilted Edwardian/Victorian morality -- provided an interesting and valuable look at love and courage. It was a point of view that was often lacking in much of the fiction of the my youth, which was more jaded and more realistic in the presentation of relationships.
Even Elric -- tragic, ironic, sardonic, immoral, cynical, despicable as he is -- is a student of John Carter when it comes to love. His love for Cymoril, and his remorse over her death, echo Carter's love. No man can love a woman as much as Carter loves Dejah Thoris, and maybe no man should, but it makes for wonderful romance.
By the looks of the preview, the upcoming Disney film manages to capture some of the wonder and romance of the Burroughs tales in addition to all of the action. If the preview is any indication, the film also manages to capture the feel of the alien yet familiar geography of Barsoom. Disney's John Carter doesn't look like "my" imagined one -- which was heavily Michael Whelan influenced -- but it does capture my imagination.
I have high hopes for this film.
...seriously, who has a storage unit filled with books and games?...
Of all of Burroughs tales, it was his wonderful John Carter Planetary Romances that sparked my imagination to wonder at distant shores. It was these books that gave me an insatiable hunger to experience that kind of escape and profound sense of greatness. It wasn't that Burroughs wordsmithery was profoundly great and beautiful. It was his ability to convey just enough information for your own mind to create that sense of wonder that kept me coming back.
The John Carter stories -- with their stilted Edwardian/Victorian morality -- provided an interesting and valuable look at love and courage. It was a point of view that was often lacking in much of the fiction of the my youth, which was more jaded and more realistic in the presentation of relationships.
Even Elric -- tragic, ironic, sardonic, immoral, cynical, despicable as he is -- is a student of John Carter when it comes to love. His love for Cymoril, and his remorse over her death, echo Carter's love. No man can love a woman as much as Carter loves Dejah Thoris, and maybe no man should, but it makes for wonderful romance.
By the looks of the preview, the upcoming Disney film manages to capture some of the wonder and romance of the Burroughs tales in addition to all of the action. If the preview is any indication, the film also manages to capture the feel of the alien yet familiar geography of Barsoom. Disney's John Carter doesn't look like "my" imagined one -- which was heavily Michael Whelan influenced -- but it does capture my imagination.
I have high hopes for this film.
Monday, November 23, 2009
Traci Lords is Dejah Thoris!
From the folks at The Asylum, those masters of Mockbuster films, comes A Princess of Mars.
Antonio Sabato Jr. is John Carter.
Traci Lords is Dejah Thoris.
I cannot make this up.
Hey Disney! This is what happens when you take forever with a public domain property.
The Asylum version of A Princess of Mars comes out on December 29, 2009. I don't care how mind-numbingly bad this is. I must own it. I must own it.
Thanks to Bill Cunningham for the tip.
Tuesday, September 08, 2009
John Carter of Mars and The Queen of the Iron Sands
The 90s were a decade of either no news, or bad news, for fans of Planetary Romance, but during the 00's these fans have been experiencing a roller coaster ride of positive news and worrisome news.
For the uninitiated, Planetary Romance stories are a kind of speculative fiction that straddles the line somewhere between fantasy and science fiction. The stories are fantasy in that they often incorporate magic systems, princesses, and mystical experiences. They are science fiction in that they often take place on other worlds.
The genre was largely created by the Edgar Rice Burroughs novel A Princess of Mars featuring Burroughs' second most famous character John Carter of Mars. In story, readers encounter the Civil War veteran -- who is of indeterminate age and possibly unaging -- John Carter as he mystically transports himself to Mars (or as the Martian natives call it, Barsoom) after being near fatally injured. While on Barsoom, encounters alien races, falls in love with the most beautiful woman in the universe, and participates in large scale war. The book established the basic tropes for the genre, tropes which have been used to great success in literature and film in everything from Leigh Brackett's John Eric Stark stories to George Lucas' Star Wars films. There is a reason that Brackett was selected to write a draft of Empire Strikes Back and that reason is that Star Wars sits firmly in the genre of Planetary Romance -- as does Flash Gordon.
Planetary Romance stories are more about adventure, romance, and the unknown than they are about science or political commentary -- though there are exceptions. There are many wonderfully written novels and stories within the genre, but there is also material some consider to be offensive drivel. I can remember stumbling upon the Gor novels of John Norman because of some basic underlying similarities between it and Burroughs' Martian novels. Traditional Planetary Romance novels advocate Victorian sensibilities about virtue and heroism, much like Arthur Conan Doyle's The Lost World (an interesting experiment is to read The Lost World and The Heart of Darkness back to back), and love is presented as an ideal akin to Courtly Love. The heroes of Burroughs' novels nearly swoon with affection for their beloved, a beloved who is perfect beyond compare. The Gor novels turned this on their head as Norman's novels were erotica disguised as Planetary Romance. Let's just say that this came as quite a shock to my 8th grade self, and to this day I don't have an appreciation for the Gor novels.
Needless to say, Planetary Romance is a rich and important sub-genre of fiction and one that I highly recommend.
Some of the roller coaster peaks in recent years have included:
- The University of Nebraska Press editions of Edgar Rice Burroughs' Martian Stories, Moon Stories, and Venus Stories.
- The Planet Stories line of books by Paizo Press.
- Chris Roberson's Paragaea
- Jon Favreau being selected to direct the John Carter movie. Even though he seemed overly influenced by the art of Frank Frazetta, and not enough influenced by the art of Michael Whelan or Frank Schoonover, Favreau was a great choice...before he had to leave the project and make an awesome version of Iron Man.
Some of the roller coaster valleys have included:
- The selection of Robert Rodriguez to direct the John Carter of Mars movie. I'm a Rodriguez fan, but the thought of his "lowest budget possible" mentality underlying a John Carter film just rubbed me the wrong way. Sure his Harryhausen homage was fun, but...John Carter in DV Cam isn't my idea of cool.
- The recent three Star Wars films which hinted at how good Planetary Romance can be, while simultaneously showing us how bad it can be.
- The recent Flash Gordon series. Seriously, WTF?!
As noted above, a lot of the news -- good and bad -- for Planetary Romance fans centers around a John Carter project. One is still slated for production by Disney with Andrew Stanton at the helm, and Michael Chabon attached to the screenplay. So far that seems like good news for the Planetary Romance fan...but there is news about the project that should make fans worry too.
One can easily overlook that Stanton hasn't done a project like this before, Doug Liman hadn't directed a spy movie before Bourne Identity, because Stanton's other film work has been extraordinary. That's not what is worrisome. What is worrisome is the casting.
Taylor Kitsch (Gambit from Wolverine) has been selected to play the title role. Unless his performance in Wolverine was atypical, I cannot imagine him as remotely capable of capturing the charm and power of the Carter character.
I am less worried, but only cautiously optimistic, regarding the casting of Lynn Collins as Dejah Thoris. After all, who can play "the most beautiful woman in the universe?" That's a pretty tough title to live up to, but I like the fact that the casting director didn't equate beauty with "ultra-voluptuous" and try for Scarlett Johansson or someone similar.
Then there's the casting of Willem Defoe -- who has recently become a parody of himself -- and Dominic West -- who I loved in The Wire but who was ridiculous in Punisher: War Zone.
It's gotten to the point that every piece of news I read regarding the upcoming Disney film version of John Carter of Mars has made my inner geek want to run away and hide. Will it be good or will it be awful? The inner 8th grader cannot stand the pressure and needs some new Planetary Romance distraction -- a quality one.
Thankfully, Fantasy author Scott Lynch has recently released a free web-book (at least the first few chapters) of exactly the kind my inner geek needs. A few weeks ago, Lynch began e-publishing Queen of the Iron Sands. He's releasing the story as a "serial novel" and simultaneously paying homage to the classic of Planetary Romance and the serials of the early 20th century.
My inner geek now refuses to hide no matter how bad the news regarding the John Carter film gets and it's all to Scott Lynch's credit. No matter how bad the John Carter film ends up, I know that planetary romance as a genre will live on because talented people are still applying their skills to the genre.
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