Insert Quarter, Gets Rejected! -- LITERAL TRON: LEGACY Trailer

I know this was posted five months ago, and that everyone else knows about Tobuscus, but I found this amusing. Especially the quote, "Insert Quarter, Gets Rejected!"



I am so excited about TRON: LEGACY, even with all the mockitude.

New TRON: LEGACY Trailer

Unlike the editors of Variety, whose jaded view of the marketing aspects of TRON demonstrate a cluelessness regarding Gen-X culture, I have been anticipating a sequel to the original TRON film since the day I left the theater in 1982. Contrary to what the opening line of the snide Variety article discussing TRON: LEGACY might lead you to believe, the first TRON film did quite well. According to BoxOfficeMojo, the original film had a cost of $17 million and made $33 million in domestic box office -- a moderate success. This figure does not include the sales of video game machines, VHS tapes, DVDs, or any of the other merchandise associated with the film.

Initial under-performance is no sign of a lack of long-term interest. One can excuse executives in 1982 for not being able to see into the future at TRON's legacy, but current executives are right to invest so much time and marketing energy behind the new film.

Now...if only the movie's story will match the effort put into the film in other areas.

Tron as Advertised by Saul Bass

Readers of this blog know that I am pretty excited about the release of Tron: Legacy in 3-D this Christmas. I imagine it will be one of the first movies that my daughters and I watch together in the theater and sharing a small piece of my cherished childhood with my own children is something to which I am very much looking forward.

One of the things that I am interested in seeing is how modern visual techniques are going to transform the concepts that were presented in the original film. The original film was a visual tour de force. Its ability to translate computer concepts into beautiful visual metaphors was remarkable and the imagery in the film comparing the circuit like structure of the "internet" with the nighttime illuminated landscape of a modern city is one of my favorite transitions in all of film.

That said, after stumbling upon Hexagonall's Tron credits, and advertising, done in the style of Saul Bass, I have begun to wonder what a retro-remake of Tron done in the style of a Stanley Donen, Alfred Hitchcock, or John Frankenheimer would be like. Try and imagine the film that would follow these opening credits:

This is a movie that I'd like to see. In particular, I'd like to see how modern animators would face the challenge of doing a retro-remake that uses modern technology to achieve classic animation techniques. What animation style would be used to simulate the life within the computer? What would a retro-remake "innerverse" look like? What would the opening video game sequence look like? I don't know, but I would love to see it.

Tron: Legacy Releases Second Trailer

I mentioned in an earlier post that December 17, 2010 will be a very busy day at the movies. That day will see the release of The Smurfs, Yogi Bear, Tron: Legacy, and The Green Hornet. I am eagerly awaiting Tron: Legacy and I can already hear my twin daughters -- who will be 33 months this December -- trying to pressure me into taking them to see The Smurfs or Yogi Bear.

Late last year, Disney released a teaser trailer for Tron: Legacy that demonstrated how cool lightcycles look with modern computer effects. They looked stunning with 80s "super computer" visual effects, and the new ones are just as mind-blowing as the original effects where when they first came out.

I have always thought that the original Tron film did a great job of conveying basic computer concepts to a wide audience. The fact that it conveyed these concepts with visual storytelling concepts made it all that much better. I wonder how many Gen X computer programmers and video game designers were inspired by Tron? The inter-relatedness of programs in Tron, and its use of the "Master Control Program," predated the internet and the Windows operating system -- or the Apache HTTP Server Project -- but the world presented in the film "assumed" such advances would take place. The film forever shaped how I viewed "cyber landscapes" when I read the fiction of William Gibson or Bruce Sterling.

It's hard for sequels, especially sequels separated by decades, to recapture the magic of earlier episodes of a film series. In many ways, remakes have an easier time introducing entertainment to new audiences or rekindling fandom among old hands. Compare the Star Wars prequels and Bryan Singer's Superman Returns, and their reception, to JJ Abrams' Star Trek or the Battlestar Galactica television reboot. The "sequels" earned fan ire, and didn't fire the imagination of new generations in the same way as earlier entries had.

Tron: Legacy is taking the more difficult path. It is a direct sequel of the original film, though one where the "real time" between the two films is the same as the time that has passed during the films. The use of the narrative trope of a son looking for his lost father -- and his legacy -- is as old as Homer, and it is a good narrative technique for introducing new audiences to old ideas without overly irritating the older audience. One can forgive narrative exposition when it has a narrative purpose. I don't know how this story will play out, and one can certainly induct very little about the plot of the new Tron movie from the newest trailer, but the more I find out about the sequel the more I want to watch it.

Obviously, this is a film that I will have to see in 3D.

I'll Be Watching TRON on December 17th, 2010 and Avoiding GREEN HORNET Like the Plague

December 17, 2010 will be a very busy day at the movies. That day will see the release of The Smurfs, Yogi Bear, Tron: Legacy, and The Green Hornet. The Green Hornet is the only one of these films that won't be released in 3-D, and it is likely the only one of the December 17th films I won't see at some point. I am eagerly awaiting Tron: Legacy and my daughters will be 33 months old at that point and will likely pressure me into taking them to see the other two.

The reason I will be avoiding The Green Hornet (or should I write Seth Rogan is The Green Hornet?) like it was the H1N1 virus is that of the four movies coming out next holiday season, it is the only one that will be mocking its underlying IP. One imagines that Yogi Bear will be a loving adaptation targeted at 5 year-olds -- and their parents -- the same can be said of the upcoming Smurfs film. One finds it difficult to believe that the studios would turn those animated features into stoner humor parodies of the original cartoons. As for Tron: Legacy, it speaks volumes that the film includes much of its original cast in what appears to be an attempt to capture what made the original so engaging.

None of this guarantees that the non-Hornet films will be any good, but all signs are that the filmmakers are at least attempting to make enjoyable fare that pays homage to the original.

This is not true of The Green Hornet -- Seth Rogan is The Green Hornet -- which seems to not only be meandering through the production cycle with delays in release date and changes in director and actor during the production phase of the film. It is not usually remarkable when a film changes directors or cast during pre-production, but it is remarkable when the film pushes production because of the changes. The film can't even keep Nic Cage on board, and he's a big enough geek to put up with a lot. In fact, the loss of Cage pretty much eliminates any geek street cred this film could have churned up.

The film had already lost Hong Kong star, and director, Stephen Chow. Last December Chow cited "creative differences" as the reason he could no longer direct the film -- a big hint that the film wouldn't live up to any fan's expectations as a "comedy kung fu film." One can accept a comedy kung fu film directed by Chow, he's one of the best directors of the genre, but when he drops out it's a signal of bad things to come. At that time, Chow was staying on as Kato, but as of this July he has dropped out of the project entirely. Now there's footage of an "accident" on the set of one of the shoots (scroll down to the bottom and watch the video). Apparently Britt Reid is giving a press conference when a shoot out breaks out and Kato has to drive to the rescue...or some such nonsense. The accident link also includes photos from the shoot.

It just looks awful, but at least they pushed the date to "post-Comic Con" so we can get extra hype next summer and have people try to convince us that the film will be good. My thoughts are that if you were to create a drinking game counting the number of bong references and fart jokes in the film, you would be dead by the end of act II. On the positive side, at least they are shooting in Los Angeles.

My Childhood Dreams are Coming True. A Tron Sequel is in the Works.

Every now and then we here at Cinerati get an exclusive interview. After reading in the Hollywood Reporter that a sequel to Tron was in the works, I rushed to my Rolodex and pulled up the name of someone with an intimate connection with the project.

I'd like all of you to welcome our guest today. Our good friend Bit will be answering our questions regarding the new Tron film.

Hi Bit, are you excited about the new "Tron" sequel being produced by Sean Bailey and Steven Lisberger?


YES

Do you know who will be directing the movie?


YES

Can you tell us the name of the person who will be directing the movie?


NO

Do you really know who will direct the movie?


YES, YES, YES, YES!

But you still can't tell us his name?


NO

Why not?



Hmm...oh, that's right you can only answer yes or no questions, correct?


YES

That being the case, I don't want to try and wrangle too much information out of you. I guess those who want to know more ought to just read Borys Kit's article over at the Hollywood Reporter right?


YES, YES, YES, YES!

After you all read the article. If you want to talk about it, you can join us over at Geekerati on Monday night at 7pm Pacific.